Oil On Canvas, Real Flavor of Old Masters

All PANNINI, Giovanni Paolo 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
8442  
Apostle Paul Preaching on the Ruins af, PANNINI, Giovanni Paolo
 
 Apostle Paul Preaching on the Ruins af   1744 Oil on canvas, 64 x 83,5 cm The Hermitage, St. Petersburg
30619  
Interior of Saint Peter's, PANNINI, Giovanni Paolo
 
 Interior of Saint Peter's   mk68 Oil on canvas Venice. Ca'Rezzonico Museum 175 Italy
63837  
Interior of the San Giovanni in Laterano in Rome, PANNINI, Giovanni Paolo
 
 Interior of the San Giovanni in Laterano in Rome   Oil on canvas, 74 x 100 cm Pushkin Museum, MoscowArtist:PANNINI, Giovanni Paolo Title: Interior of the San Giovanni in Laterano in Rome Painted in 1701-1750 , Italian - - painting : interior
8441  
Musical Fete, PANNINI, Giovanni Paolo
 
 Musical Fete   1747 Oil on canvas, 207 x 247 cm Mus??e du Louvre, Paris
8443  
Roma Antica af, PANNINI, Giovanni Paolo
 
 Roma Antica af   c. 1755 Oil on canvas, 186 x 227 cam Staatsgalerie, Stuttgart
8440  
The Piazza and Church of Santa Maria Maggiore ch, PANNINI, Giovanni Paolo
 
 The Piazza and Church of Santa Maria Maggiore ch   1744 Oil on canvas Palazzo Quirinale, Rome

PANNINI, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 was an Italian painter and architect, mainly known as one of the vedutisti or (veduta, or "view painters"). As a young man, Pannini trained in his native town of Piacenza as a stage designer. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1718C1725) and the Palazzo de Carolis (1720). As a painter, Pannini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes. In 1719, Pannini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. His studio included Hubert Robert and his son Francesco Panini. His style would influence a number of other vedutisti, such as his pupil Antonio Joli, as well as Canaletto and Bernardo Bellotto,



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